As many of you know, I am about 50% Plotter and 50% Pantser because I like to create a framework for a story and then dive in and play within that structure. I find that combination to be flexible enough to tell a good tale and not burn myself out when a plot goes off-road on me.
The thing is that the initial story idea goes through many evolutions before the finished story is ready to put out there. We work diligently to interpret and write down the images that hang out inside our minds and that translation process involves an infinite number of mental filters as it grows and prospers. For example, you’re working on a scene where two characters are having a conversation. On the surface, describing a conversation is fairly straightforward.
What are circumstances behind the conversation? Is it angry? Are the two characters dealing with an interpersonal issue? Where are they? Is anything else going on around them?
Each of these questions open new paths that potentially take the story in a new and often unexpected directions depending on the type of story we are telling. That is both the fun and the pain of it. I don’t always welcome such forks in the road but I’ve learned that it’s better to explore the alternatives because everything can be edited out later.
In other news, I am still chewing on the elephant that is Lights and Shadows but I see its completion date slipping into Limbo, which was totally unexpected when I started working on it in 2015. Thankfully, I only planned one book for 2016 so there is still time to get it out there before I turn my attention back to Parallax’s Sequels.
Well, that’s it for today. I should have a Lights and Shadows Update done soon so stay tuned and Happy Writing to you all. 🙂